SPEAKING ENGAGEMENTS


When the situation arises, I have put on some presentations involving my work. On other occasions, I have been fortunate enough to showcase the work of other artists who work in animation. Here is a list of some of them:


March 8th, 2007

On Point with host Tom Ashbrook
wbur.org
Boston's NPR® news source

Radio host Tom Ashbrook held a one-hour round-table in support of The Montreal Museum of Fine Arts exhibit "Once Upon a Time Walt Disney." Bruno Girveau, curator of The Montreal Museum of Fine Arts, Charles Solomon, critic and animation historian and myself joined Tom in a discussion that delved into the European roots within Disney artwork. For more information about the talk and the exhibit, please check out this link.


O
ctober 5th, 2005
Maurice J. Noble
Bijou Theater
CAL Arts
24700 McBean Pkwy
Valencia, California
After Maurice Noble died in 2001, his estate was left with a large collection of art found in his house in La Canada, California. Left in arbitrary piles, the art was relocated to my facility where with the help of Larry Ishino it was assembled into inventoried boxes of art which included every facet of Noble's career -- art from his childhood, from Pamona High School, from Chionard, to his work at Disney, from his collaborations with Ted Geisel at the Frank Capra World War Two Film Unit, and ultimately to his work with Chuck Jones on the Looney Tunes films at Warner Bros. and at MGM on to the paintings he created in his retirement.

This presentation used images and my observation from working with this collection to trace Noble's aesthetic.


J
une 30th, 2001
A Tribute To Maurice J. Noble
Stephen J. Ross Theater
Warner Bros. Studios

Main Studio Lot
Burbank, California
I put together this program of films for a tribute to the career of Maurice Noble and co-hosted the event with Master of Ceremonies Leonard Maltin. Maurice Noble got his start at Disney during the inventive heyday of the mid 30’s and worked on several of their best animated features, including Snow White And The Seven Dwarfs, Fantasia and Dumbo. Leaving Disney after the union strike, Noble found his way to Warner Bros. and began a very long and successful collaboration with Chuck Jones. Maurice’s lasting impact on the world of color and design of background art for animation is among the finest and most prominent within the genre. This program included two discussion panels surrounded by screenings of some of his films, which amply highlighted his contribution to background design.


O
ctober 22nd, 1997
Sutton Place Hotel

Newport Beach, California
Conservation presentation at the Sutton Place Hotel. Presentation was part of a Linda Jones Enterprises Gallery Event.


J
une 8th, 1997
The Lido Theater

3459 Via Lido
Newport Beach, California
Conservation presentation at the Lido Theater before the screening of Chuck Jones Film Productions short subject “Father Of The Bird” and other Chuck Jones shorts. Presentation was part of a Linda Jones Enterprises Gallery Event.


Saturday, March 4th, 1995
The National Gallery Of Art

Washington DC
1995 Winter Meeting of the American Institute For Conservation
Photographic Materials Group
Mickey, Donald, Goofy & Pluto - What's Breaking Up That Old Gang Of Mine?
A half hour speech with slide show based on my observations repairing damaged Disney Animation Art. This presentation was a chronological narrative which followed the evolution of the precise types of materials used to create Disney Animation Cels and how they aged was created.


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